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Words near each other
・ Portrait of a Man (Antonello da Messina, Pavia)
・ Portrait of a Man (Antonello da Messina, Turin)
・ Portrait of a Man (Domenico Ghirlandaio)
・ Portrait of a Man (Mantegna)
・ Portrait of a Man (Raphael)
・ Portrait of a Man (Self Portrait?)
・ Portrait of a Man (Signorelli)
・ Portrait of a Man (Velázquez)
・ Portrait of a Man in a Top Hat
・ Portrait of a Man in a Yellowish-Gray Jacket
・ Portrait of a man in red chalk (Leonardo)
・ Portrait of a Man Rising from His Chair
・ Portrait of a Man with a Beer Jug
・ Portrait of a Man with a Blue Chaperon
・ Portrait of a Man with a Medal of Cosimo the Elder
Portrait of a Man with a Roman Medal
・ Portrait of a Man with Arms Akimbo
・ Portrait of a Man with Carnation
・ Portrait of a Marriage
・ Portrait of a Marriage (TV series)
・ Portrait of a Mobster
・ Portrait of a Musician
・ Portrait of a Noblewoman with a Dwarf
・ Portrait of a President
・ Portrait of a Princess (Pisanello)
・ Portrait of a Queen
・ Portrait of a Seated Gentleman
・ Portrait of a Seated Woman with a Handkerchief
・ Portrait of a Sinner
・ Portrait of a Spy


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Portrait of a Man with a Roman Medal : ウィキペディア英語版
Portrait of a Man with a Roman Medal

The ''Portrait of a Man with a Roman Medal'' is a painting by the German-born Flemish artist Hans Memling, dating to c. 1480 and housed in the Royal Museum of Fine Arts, Antwerp, Belgium.
==Description==

The painting portrays a man from a three-quarter point of view, with an attention to details typical of Flemish painting. The man is wearing a black coat and a hat of the same color. In the left hand, he is showing a Roman medal of emperor Nero, a symbol of his attention to Humanism. In the background is a lake landscape: Memling was one of the first painters to use natural landscapes for backgrounds of portraits (instead of the traditional black one), influencing later Renaissance artists such as Sandro Botticelli and Pietro Perugino.
The identity of the subject is unknown. It has been supposed that he could be one of the numerous Italians living at the time in Antwerp or Bruges, who often commissioned artworks to local painters. It has been variously identified as Bernardo Bembo, or with the Florentine artist Niccolò di Forzore Spinelli, who died in Lyon, where the painting was in the early 19th century. Or it may be Giovanni di Candida.〔Norbert Schneider. The Art of the Portrait: Masterpieces of European Portrait-painting, 1420—1670. Taschen 2002. P. 44〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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